days of art lite
The poster art had large, pinched block letters and swirled backgrounds, being psychedelia with social message. I sold a few in dark alleyways. "Pssst! Ya wanna buy War Is Not Healthy For Children And Other Living Things? Comes with a free 'Lude . . ."
It was self-taught Art Lite. 

In all seriousness, I did sell original poster art in the early seventies. My art studio was a converted dining room. The antique table provided a large workspace. The room had a gothic ambiance of family antiques that had seen better days, that might devolve into Grey Gardens-esque chaos. 

At that time who would have predicted the creation of the internet (besides a few visionary science heads)? These days I'm into web design, drawing and painting - the internet being a wonderful venue in which to be seen - or unseen. In the presence of my boxy workspaces, I sometimes miss the days of the antique table in the gothic room.


 
 
 
running with pencils
It must have started with crayons. Crayola, usually the small box, but sometimes the large economy size. The crayons smelled good, but not as good as PlayDoh. Melting crayons smelled good too.

Pencils were okay, kind of boring, and when sharpened, allegedly dangerous. Be careful with that, you could put your eye out! The pencils danced between blue lines on faded gray-speckled notebook paper, letters into words into sentences into paragraphs, the user marveling that letters formed words which formed language, and that the human brain could process such things.

Pens were ballpoint or felt-tip or fountain type, multi-coloured inks flowing and exploding between journal covers in stream-of-consciousness rant. The pens illustrated the rant with peace symbols and palm trees.

Typewriters were heavy and metal and evil, causing young brains and fingers to produce clatter and noise and mind-deadening language - I knew this. I had friends who typed.

Word processors were somehow not as bad as typewriters, though either could take away the magic and rhythm of the organic flowing pen - typing somehow being out of tune with channeling.

Years ago I inked my name and drew peace symbols onto my denim-covered cardboard school binder. Dear history  instructor Becker, if you are not dead and are reading this, please return my confiscated journal from nineteen-seventy. I need the notes.
 


 
 

 

 

 
 
 
 

musings on writing
If as a writer you are feeling restless or stuck, try multiple projects and discover which genuinely engage you. One practical philosophy: let the words/art age. Put them/it aside for a while. Come back to them/it. Have they/it improved, or do they/it stink’eth? The aging process may reveal such . . . . >>
 
 
 


 

A Writing Timeline >>


 

 

I rolled into the French Quarter during a nineteen-seventies winter, finding a youth hostel near Chartres and Dumaine, a couple of blocks from Jackson Square . . . . >>
 
 


 
 

 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
On Web Design, Spalding Gray and More

Funny Things Happen on the Way to Websites
 


 
 
Gathering of Corks


 
 
 
 
 

White


 

 

Untitled


 

 

Cool Beans

 

 
 
 

Urban Possum

 
 A. F. Waddell writes short fiction, including humor, erotica, crime and road genres. Anthologized works include  "Tina and Lucille" in The Mammoth Book of on the Road (Carroll & Graf/Robinson); "Cashmeres Must Die" in Leather, Lace and Lust (Berkeley Books) and The Mammoth Book of Best New Erotica, Vol. Four (Carroll & Graf); "The Road Killers" in  Foreign Affairs: Erotic Travel Tales (Cleis Press); "Marilyn" in Wicked: Sexy Tales of Legendary Lovers (Cleis Press); "Bodies of Water" in Amazons:Sexy Tales of Strong Women (Thunders Mouth Press). The author is working on a debut novel.

Blogging
Crime Scene Investigation:
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Goode Medicine:
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Fear of the Bogeymen:
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More . . .
Into The Night
Zen & The Art of Influenza
My Phone Is Evil
You've Got Red On You
Lives of the Sixties and Seventies